I do not do a real card, perhaps because the character of the book is bad, or incentives. But I happened to his hands Cesare Segre, Ten tests fantasy (Torino, Einaudi, 2010), which are collected in ten short texts already prepared a decade ago, especially for the "Corriere della Sera. In addition to two "impossible interviews" - Julius Caesar and Marie de Gournay (pupil of Montaigne and his editor), serving a little 'wear some kind of pompous and some caution that the interviewee is a figure higher all'intervistante and a little 'know-all - and each text in isolation - the "most novel" How do you die Pavese's suicide, and two "almost-readers," the first, and Guiomar Machado on one of the many senhal hiding figures and reports that the poem was able to transpose into worlds denied to the banal, sometimes incomprehensible even mean, the everyday, and second, the betrayed husband duels with Alfieri, the famous episode of the beautiful Penelope, that the scandal was able to free from the constraints of society. The songs really most important, the real "test of imagination, however, are five stories counterfactual, the alternative story, the to the great literature of the page: Gano of Maganza (his monologue on the day before the rendering), and Isolde Tristan (in the words of that blond hair, his intelligence in the lead and be led by the impulsive Satan, the fragility of calm enthusiasm of love), Guillem de Cabestanh news of the heart and ate, and Cunizza Sordello (the hot spirits of before, and the narrowness of the second arrivistica), Charles Bovary, Flaubert and his objections, and despair because the same memory of love is distorted by the discovery of the vacuous and vulgar falsity of Emma. Death was bleak as it was now my whole life. What you should not, but we can not do. Get in the books, and sit behind the flap of the back cover, with the best-loved to be told his true story.
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